adamr.io_
Productions · 2017 – 2020

Theater work.

Eight productions across four years, mostly at Wesleyan Second Stage, one professional gig in New York. I did a bit of everything: directed, stage managed, designed sound and sets, acted, ran social. Listed here by role rather than chronology.

01 Director one production
02 Stage Manager two productions
03 Sound Designer one production
04 Set Designer one production
05 Actor two productions
06 Social Media one production
a.

Posters.

Eight productions
Disgraced poster, designed by Adam Rahman
Disgraced
Director · Poster designerSecond Stage, Wesleyan · '18
Really Really Gorgeous poster, The Tank NYC
Really Really Gorgeous
Stage MgrThe Tank, NYC
Action by Sam Shepard, Wesleyan CFA dress rehearsal. Photo by Sandy Aldieri.
Action
Stage MgrWesleyan senior thesis
Edith Can Shoot Things and Hit Them, Wesleyan Second Stage production photo
Edith Can Shoot Things and Hit Them
Sound DesignerSecond Stage, Wesleyan
La Violecion of My PapiYon poster
La Violecion of My PapiYon
Set DesignerSHADES, Wesleyan · '18
Life is a Dream, Wesleyan CFA production photo
Life is a Dream
Actor · ClotaldoWesleyan CFA
Islands, Wesleyan CFA poster
Islands
Actor · Harjito / SukarnoWesleyan CFA · '17
Rhinoceros poster
Rhinoceros
Social MediaSecond Stage, Wesleyan · '18
b.

Credits.

Synopsis · role
01
Director

Disgraced

by Ayad Akhtar. Wesleyan Second Stage. December 6–8, 2018.

Venue
Malcolm X House · 345 High St, Lower Level
Run
Dec 6 · 7 · 8, 2018
Cast
Arnaav Bhavanani · Ava Biery · Abhishek Fakiraswaminath · Dache Rogers · Skye Hawthorne
Source
Pulitzer 2013

Ayad Akhtar's Pulitzer-winning one-act. A Pakistani-American corporate lawyer's hidden Muslim identity surfaces over a dinner party and blows everything apart. Two years earlier I'd acted in a Readers Theater reading of the same play as Hussein Malik/Abe Jensen, so I came to the script knowing it from the inside out.

What I did: directed, and designed the poster. We set up in the basement of Malcolm X House, an improvised black box with borrowed furniture and Ikea dimmers where a lighting rig should have been. Stage manager: Thanmye Lagudu. Set designer: Angelica. I wrote about it.

02
Stage Manager

Really Really Gorgeous

by Nick Mecikalski. Directed by Miranda Haymon. The Tank, NYC.

Venue
The Tank · 312 W 36th St
Run
Jan 23 – Feb 9, 2020
Premiere
World premiere
Note
O'Neill 2017 finalist

Nick Mecikalski's world premiere, directed by Miranda Haymon. Two women in a moldy shack at the end of a flooded America; the play is a two-hander and it's relentless. Produced by The Tank with Lucy Powis and The Hodgepodge Group. Got a New York Times review.

What I did: stage managed. Kept the prompt book, ran rehearsals, called the show in performance, held the production schedule together through a packed run.

03
Stage Manager

Action

by Sam Shepard. Directed by Ray Achan. Wesleyan senior thesis.

Venue
Wesleyan University
Year
2019
Form
One act
Source
Shepard, 1974

Sam Shepard's 1974 one-act. Four characters in an isolated cabin on Christmas, after some unspecified collapse outside; the play is very still and very tense. Ray Achan's directing thesis.

What I did: stage managed. Kept the prompt book, ran rehearsals, called the show. Held the line between director and production so Ray could focus on the work.

04
Sound Designer

Edith Can Shoot Things and Hit Them

by A. Rey Pamatmat. Wesleyan Second Stage.

Venue
Second Stage, Wesleyan
Year
2018
Source
2011 Humana Festival

A. Rey Pamatmat's play about two Filipino American siblings living alone on a farm in Middle America; their parents left and didn't come back. A third character shows up and upsets the fragile equilibrium they've built. Originally produced at the 2011 Humana Festival of New American Plays.

What I did: designed sound. Built day-scene ambience and night-scene cue stacks, sourced and cut every cue, specced and patched the rig, ran sound through tech and performance.

05
Set Designer

La Violecion of My PapiYon

by Arline Pierre-Louis. Directed by Ray Achan & Ruby Fludzinski. SHADES, Wesleyan. April 19–21, 2018.

Venue
Patricelli '92 Theater, Wesleyan
Run
Apr 19 · 20 · 21, 2018
Producer
SHADES collective
Form
New work, student-produced

New work by Arline Pierre-Louis, produced by SHADES, Wesleyan's student collective for theater by and about people of color. Directed by Ray Achan and Ruby Fludzinski. Ray also directed Action, which I stage managed the following year.

What I did: designed the set. Ground plan and elevations, build costing, supervised the build with the tech crew, paint and dressing.

06
Actor

Life is a Dream

by Pedro Calderón de la Barca. Directed by Shira Milikowsky. Wesleyan Center for the Arts.

Venue
Wesleyan CFA
Year
2017
Role
Clotaldo
Source
Spanish Golden Age · 1635

Calderón de la Barca's verse drama, one of the great works of the Spanish Golden Age. Prince Segismundo has been imprisoned since birth by a prophecy; the play turns on whether fate can be escaped. CFA main-stage production, one of my first at Wesleyan.

What I did: played Clotaldo, Segismundo's tutor and the keeper of the secret.

07
Actor

Islands

Directed by Ronald Jenkins. Wesleyan Center for the Arts.

Venue
Wesleyan CFA
Year
2017
Roles
Harjito / Sukarno

Ensemble-devised production on the CFA main stage, directed by Professor Ronald Jenkins. The work drew on island histories and collective memory; the form matched the content, built in the room by the room.

What I did: played Harjito and Sukarno.

08
Social Media Manager

Rhinoceros

by Eugene Ionesco, translated by Derek Prouse. Directed by Jordan Tragash. Wesleyan Second Stage. May 3–5, 2018.

Venue
Patricelli '92 Theater, Wesleyan
Run
May 3 · 4 · 5, 2018
Assist. Dir.
Ray Achan
Source
Ionesco, 1959

Ionesco's 1959 absurdist classic, in Derek Prouse's translation. A small French town's inhabitants begin turning into rhinoceroses one by one; the holdouts dwindle, resistance becomes its own kind of loneliness. One of the great plays about conformity and what it costs to refuse it.

What I did: ran social media for the production. Wrote and scheduled posts, coordinated promotional assets with Jordan, pushed ticket sales through the three-night run.

c.

Photos.

Disgraced · Dec 2018 · Photos by Elijah Comas
The dinner party scene: Arnaav Bhavanani, Abhishek Fakiraswaminath, Dache Rogers, Ava Biery
Arnaav Bhavanani as Amir
Dache Rogers, Arnaav Bhavanani, Abhishek Fakiraswaminath
Abhishek Fakiraswaminath and Ava Biery
Rehearsal, Adam directing the cast

Photography by Elijah Comas '22. Rehearsal photo by Thanmye Lagudu '20.

d.

Company.

Wesleyan Second Stage

Second Stage

Student-run theater company · Wesleyan University
Staff Two academic years on the company. Helped support productions across the season: everything from load-ins to strike.
2017 – 2019
Lights & Rigging Liaison Point person for the lighting rig and rigging hardware. Coordinated with CFA technical staff on hangs and refocuses.
2017 – 2018